Call for author quotes for mag article

Hey, author friends!

I’m on assignment for LISTEN MAGAZINE (reaches 100,000 teens) and I’m writing an article for their October issue that’ll advise teens about how to get published.

I’d love to get a few quotes from my pubbed author friends. If you’re interested, leave a comment here to say that you are and I’ll email a few of you to get quotes. I’ll just ask 3 or 4 questions about how you got published, what your journey was, etc.

If you agree to give me quotes, I’ll need ’em ASAP because the article is due in early April.

Thanks!! 🙂

Plot hole = evil

I’ve been project juggling lately. That’s unusual for me because I usually start an idea and stick with it till it’s finished. But not now. A month or so ago, I started Dark YA and got 5k in before chatting with People and deciding to drop it. For now.

Then, I shifted over to Secret Sparkly Tween Book (thinking of it as one of three) and have wiped out the 10 page outline five times. Five. Of course, that then makes the outlines for Two and Three useless.

Grrr. *headdesk*

I have all of the plot lines for One, Two and Three, but One is missing something pretty big. What? The reason WHY my characters do what they do that kicks off One, Two and Three. Very vague, I know. Been pondering this for weeks and have no answer.

*thinks*

And so it begins…



I’m starting the first draft of TRIPLE FAULT this morning. Like, now. Right now. OMG. There’s always that moment (okay, more like day) of panicked “I can’t do this! I forgot how to write a book! I’m supposed to do what?!”

Happens every time I start a book. But it’s okay. It keeps things interesting and I’d rather be freaked out instead of all “Whatever. I can so do this because I’m the best writer ever.” That would be boring!

Lucky for me, I had my Writer Freakout yesterday in anticipation of starting TF today. So, I’m ready. I’ve got my trusty outline, a sparkly pink pen for notes, cinnamon bun flavored coffee and fuzzy purple socks. You know, all things a writer needs.

Wish me luck! *</:)

Cover Copyright © 2009 Simon & Schuster. Photo © Monica Stevenson.

Quick announcement

Just a note that I’ve got Class of 2k8 author Kristin Tubb on my blog tomorrow. She’s super-funny and I had a great time interviewing her. 🙂

BEHIND THE BIT status update:

Word count: 28,456

Date started: 10/10

Number of times I used “grinned:”11

Number of times I used “smiled:” 34. Uh oh…must fix.

Writing a series

As of today, I’m just over half-way through the first draft of BEHIND THE BIT, book 3 in the Canterwood Crest series. Half-way. Mmmm. Two magical words for writers! Now, I didn’t say the draft was pretty, or anything, but it’s down. Ahh.

So, I’ve been thinking a lot about how different writing a series is compared to a standalone book. I wonder how different the draft to publication process would have been for my first book if it had been on its own. Maybe not at all. I’m not sure.

I do know I’ve learned a lot about series writing. Let’s see…

What I’ve learned:

* Keep a spreadsheet of vital information like character eye color, hair color, names of siblings, etc. You swear you’ll remember everyone’s shoe size, but as more characters come into play the easier it becomes to confuse them. Actually, I should do this with standalones, too….

* Remember that you’re writing a series! I want people to read TAKE THE REINS and say, “OMG! I have to read CHASING BLUE to find out what happens!” Don’t tie up everything in one book.

* Cliffhangers are your friends. (Thanks, K!) My cliffhangers have escalated with each book.

* Torture your characters. (K, that’s from you again, lol) Well, not really. But I’ve recently began to embrace the “a book that’s happy on every page is boring” manta. I’ve been putting Sasha, my MC, through some tough situations that heighten with each book.

* Love your series! Obviously. If you’re going for a series instead of a standalone, you MUST love your plot and characters for a while. Otherwise, it shows.

* New characters are good. Sure, you’ve got your main characters, but adding new people here and there keeps things fresh.

Okay, anyone else have something to add?

Cheryl Klein’s speech at Harry Potter conference

Cheryl Klein, senior editor at Arthur A. Levine books (Scholastic), recently posted this. It’s “A Few Things Writers Can Learn from Harry Potter” and it was her keynote speech at a Chicago Harry Potter conference.

First, how cool of Cheryl to share it with everyone. (She went from fangirl to editor–how awesome is that?!) Second, wow. If I wasn’t already inspired by JK Rowling and Harry Potter, I’m that much more impressed now. (Now I have to reread the books…again)

Check out Cheryl’s speech to read how she referenced character, plot, theme and show vs. tell. This is a speech to print and read.

Enjoy!

Edits are complete!

Whew. I just finished my fourth round of edits on my new YA. That means…it’s finished! After one more round of reading and checking for silly grammar mistakes, off it goes! I’m so, so excited to have that *this close* to being finished. Getting the draft down was exciting, but I’m ready to have someone else read it and give me feedback.

I sent a two magazine queries out this weekend because it felt, well, weird not to have any queries out there. I’ve just been accepting assignments as they come and not querying, but I’m trying to break into bigger, glossier mags this year and I’ve got to at least send a couple queries.

Before I started writing fiction, at my peak of magazine querying, I had 30 queries out at once. So you see how zero feels odd. But I do think taking a short break from magazines and writing only fiction has helped, but I’m at the point where I can slowly start working on breaking into different magazines while keeping my focus on books.

Strengths and weaknesses in your writing

Over the past few weeks, I’ve been writing lots of new things, editing and thinking about how my writing has changed since I signed with Agent A almost one year ago. (Seriously! Wow!) We’ve all got our writing strengths and weaknesses. Mine? Okay. My strongest writing comes with my plots. When others read my MSS, their first comment is usually, “Wow, I didn’t get bored for a second. You kept things moving.” Then the next comment is, “But I didn’t feel inside the character’s head enough.” So, strong at plotting and weak with internal emotion. Fixable, right? Sure, and once someone points out your weaknesses, it should only make you more aware of them so they can be addressed. When I first started writing book-length fiction in November 2006, I had no idea how dialogue tags worked. They were a MESS. Now, it’s second nature. Don’t even notice my tags. Practice definitely pays off.

So, what are the strongest and weakest parts of your writing? Have you mastered something you once struggled with?

P.S. Isn’t the class of 2k8 widget (see right and scroll) adorable? It’ll show a new book every time you refresh the page! Clever.